Work with us to develop the “visual DNA” that will make your film or commercial unique and tell your story the way you want to. All of our LUTs are tested by a qualified professional prior to delivering them to your production for use on-set, in camera and in post-production.

Sometimes you just need your footage to look beautiful and natural. We’ll make sure that your colors are true to what you captured on set and that your whole program looks visually consistent.

At CHROMATA, we work color managed, meaning that we do all of our corrections and creative adjustments in a single uniform color space. Our preferred working color space is Arri LogC, however, we are happy to work in ACES, Davinci Wide Gamut, or any other acceptable intermediate to meet the demands of your production.

High Dynamic Range is here to stay. It won’t be long before it becomes the new standard for visual content. At CHROMATA, our senior colorist is equipped, trained, and certified to handle Dolby Vision and HDR10 workflows for productions that require them.

In our experience, it truly pays to get whoever will be handling the color finishing into the pre-production phase of a project. An experienced colorist can offer insight that will save a production precious time and money down the road.

Invite us on-set to help manage the video village, digital image pipeline, and ensure that all of your important data is safe and backed-up properly.